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Sandro Botticelli's Oil Paintings
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c. 1445 – May 17, 1510. Italian painter.

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VERMEER VAN DELFT, Jan
A Lady Drinking and a Gentleman (detail) wet

ID: 09538

VERMEER VAN DELFT, Jan A Lady Drinking and a Gentleman (detail) wet
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VERMEER VAN DELFT, Jan A Lady Drinking and a Gentleman (detail) wet


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VERMEER VAN DELFT, Jan

Dutch Baroque Era Painter, 1632-1675  Related Paintings of VERMEER VAN DELFT, Jan :. | The Allegory of Painting -or- The Art of Painting | The Concert e tr | The Geographer (detail) jug | The Guitar Player (detail) awr | Woman with a Pearl Necklace wer |
Related Artists:
Walter I Cox
1866-1930 English

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Morton Schamberg
American Painter and Architect , b.1881-d.1918 American painter and photographer. After training as an architect at the University of Pennsylvania, Philadelphia (A.B., 1903), he studied painting at the Pennsylvania Academy of the Fine Arts, also in Philadelphia, from 1903 to 1906 under William Merritt Chase, with whom he travelled to Europe. From 1907 to 1909 he lived mostly in Paris, where he saw the work of major avant-garde artists, including C?zanne, Picasso and Matisse, and benefited from contact with Leo Stein, an important collector and writer. By 1909 Schamberg had responded to the example of C?zanne's paintings, including simplified and more solid forms in his own work. Following his participation in the Armory Show in 1913, Cubism became the dominant element of his art, modified in such works as Figure B, Geometric Patterns
VARIN, Quentin
French Painter, ca.1570-1634 French painter. He was the son of a shoemaker and from 1597 to 1600 was in the papal territory of Avignon, where he worked with a local painter, Pierre Duplan ( fl late 16th century), enrolling also in the local painters' guild. By 1607 he had returned to northern France, and he was married that year at Amiens. In 1612 he was working in the Norman village of Les Andelys, and there he became Nicolas Poussin's first master. For the Gothic church of Notre-Dame, Le Grand Andely, he produced in 1612 a Martyrdom of St Vincent, a Martyrdom of St Clarus and a Regina Coeli (all in situ), the works that provided Poussin with his first contact with contemporary painting. These are the earliest fixed points in Varin's oeuvre, although a ruined Rock of the Philosophers (Rouen, Mus. B.-A.), reminiscent of such late 16th-century French Mannerist painters as Antoine Caron,






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